Main Menu

You are here: > Articles


- Article Index

Articles by Jeff Bollow:
- Love the Logline
- Five Aussie Paths
- Compelling Loglines

Free Ebooks:
- The Missing Ingredient
- The Screenwriting Roadmap

Available Only through FAST:
- How to Guarantee Completion

Past Newsletter Tips:
- Write Garbage
- Promises
- Motion Pictures
- Low-Budget HC
- All Drama
- First Impressions






Newsletter Tip (May 05):
Low-Budget High Concept

by Jeff Bollow


For years, I've been saying that the key to telling better stories is to begin focusing on "High Concept" stories.

But for some reason, Australians tend to equate "High Concept" with "Big Budget" -- and automatically rule it out, because they think the local film industry can't afford expensive films.

Well, they're partly right: the local industry can't afford expensive films with Hollywood style budgets.

But they're wrong in thinking "High Concept" equals "Big Budget".

High Concept stories don't need to be expensive. To apply "High Concept" to the "Low Budget" world outside Hollywood, we need a slight adjustment in the way we develop High Concept stories.

In a nutshell, the key is develop character-driven and/or "situational" stories that satisfy those four components.

A great example (which I've chosen because it was written by two Australians, despite being made in the US) is the movie "SAW". Regardless of whether you liked the film or not, or whether you're a fan of horror/thrillers or not, the concept itself is inherently compelling:

Two men wake up shackled in a basement on either side of a dead body, prisoners in the lair of serial killer who finds gruesome ways to make his victims do something vicious to escape their own death.

The concept itself (as a horror/thriller) is inherently compelling.

Does it satisfy the four components of a High Concept story? You bet it does!

And, yet, it's a simple location, allowing the story and the elements within the story to be kept within the reigns of a tight budget. The writers tell a gripping, roller-coaster ride of a story, that satisfies its audience -- horror/thriller fans. With a $1.2 million budget (US dollars), well within the Australian film industry's reach, SAW made over $50 million at the US box office.

When you're developing stories for the Australian marketplace, a situational High Concept goes a very long way.

* * * * *

Remember: the FAST Screenplay™ will help ensure that you're starting your script on the right track! Be sure to take advantage of this limited opportunity!

Keep on writing!

Jeff Bollow

Jeff Bollow, founder of, is an award-winning filmmaker, acclaimed screenwriting teacher, creator of FAST Screenplay, co-founder of New Zealand's Big Mountain Short Film Festival, and author of two best-selling books.

This article is copyright © 2005 by Jeff Bollow, and may not be reprinted without permission. You are free to link to this page, provided it is not within a frame on an external site.







the SCREENPLAY Development Centre is an initiative of Embryo Films
copyright © 2002 – by Embryo Films